![]() ![]() Scroll down to the Timecode Provider section.Įnable the Override Project Settings checkbox.Ĭlick the Timecode Provider dropdown and select AJA SDI Input from the list.Įnable the Use Dedicated Pin checkbox (this is the Dedicated TC cable on the breakout cable attached to the AJA Kona 5).Ĭlick the LTConfiguration dropdown to expand it and select your Device, LTC Index, and Frame Rate. LTC is the timecode embedded in the video source.Įnable the Is sRGBInput checkbox to convert YUV to RGB.įollow the Timecode Setup and Genlock Setup sections if you are connecting the AJA Kona 5 to a master clock and receiving Timecode and Genlock. Click Apply.Ĭlick the Timecode Format dropdown and select your format. Select your Device, Source, Resolution, Standard, and Frame Rate. Select the Aja Media Source option.Įxpand the AJA category and click the Configuration dropdown. You will only need the video source from the production camera to set lens distortion and nodal offset calibration.The timecode and sync are not required, but it is important to know how to set them up in a Media Profile for synchronizing a CG composite to a video source.Ĭlick Media Profile > New Empty Media Profile to open the Media Profile window.Ĭhoose a destination folder and enter a name for your profile.Įxpand the Media Sources category under Inputs and click on the MediaSource-01 dropdown. In this section, you will create a new Media Profile to set these parameters. You can use a Media Profile to set up video source input and output, as well as the timecode and sync format. You are now ready to continue with the calibration process. You enabled the Camera Calibration and LiveLink plugins and restarted the editor. ![]() Select Yes on the pop-up box and click Restart Now to restart the editor. Select the Virtual Production category and enable the Camera Calibration and LiveLink plugins. Once the editor is loaded, click Settings > Plugins to open the Plugins Menu. Select the Virtual Production template and click Next.Įnter the file location and project name, and click Create Project. Select the Film, Television, and Lived Events category and click Next. Optionally, you can stream the focus, aperture, and focal length to UE using the Preston Live Link Plugin or the Live Link Master Lockit Plugin.Ĭreate a new Unreal Engine project. ![]() You will need them if you want to proceed with a CG composite over live video to make sure the layers are synchronized. In a production environment, it is recommended that the production camera and the camera tracking system be supplied with the sync and timecode as well. In this Quick Start guide, you will go through the steps to calibrate lens distortion and the nodal point offset, using the Camera Calibration plugin in a production environment.Ĭonnect your camera to Unreal Engine (UE) so it provides a live video feed.Ĭalibrate lens distortion using the Camera Calibration plugin.Ĭalibrate the nodal point offset of the tracking system to the lens using the Camera Calibration plugin.įor this guide, you will use a production camera, an optical camera tracking system, and an AJA Kona 5 for source video input.Ī master clock is optional to supply a timecode and sync to the AJA Kona 5. The ACN-BT is not compatible with the Sound Devices CL-WIFI software app.4 - Creating your Virtual Live Link SubjectĦ - Evaluating Sync and Timecode with a Timed Data Monitor (Optional)ħ - Connecting your Preston System (Optional)Ĩ - Connecting Smart Lens Using Master Lockit Plus (Optional)ġ1 - Creating a Tracked Object for Nodal Offset Calibration * iPad gen.3 or later with BT 4.0 LE required. Edit time code, enable C-Jam and monitor all ACN enabled Lockit devices on the set (Master Lockit required).Remotely control record functions and configuration of the Sound Devices 788T (Ambient Beetle* required).Teradek SDK included to monitor a Teradek Cube's livestreamįeatures with additional Lockit Hardware ().Upload reports to a Dropbox folder or send via mail.Record optional audio tracks via onboard iPad microphone for reference check or audio comment. ![]() Scene, Slate, and Take notes editable at any time during the worklow.Customizable abbreviations to safe time.Freely edit track names and allocate cast members.Display imported PDF scripts and call sheets.Automatically generates PDF sound reports.Use the app in combination with the Ambient Beetle (ACN-BT) to remote control your Sound Devices 788T, or with the Ambient Master Lockit (ACN-ML) to control your Ambient time code devices on set. Create clear sound reports easily with TonMeister – the on-set app for location sound mixers in film, tv and documentary. ![]()
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